The Tectonic Art of Gary Simpson
By S. P. Kerce
“An
analogy between art and geophysics might be surprising at
first,
but in viewing and thinking about the art of Gary
Simpson, I have found the metaphors suggested by the science
of plate tectonics to be enlightening. I also believe that
they point us in a direction that the artist himself is traveling.
For these reasons, I dare to present some points of comparison
here and hope that, in the end, the analogy may not seem so
strange to you either.
”The very first thing about Gary Simpson’s artwork
that hints of geology is his unique medium, cement, which quite
literally is made from the rock of the earth. When this earth
extract is reconstituted with water, and sand, color, and other
materials are added, the medium is thick and heavy. It is simply
not possible to apply it in small daubs or move it around on
the "canvas" with a fine-tipped brush. The cement
is first poured onto the substrate, and the moved with a trowel.
The strokes are necessarily broad, the movement of the massive
material in the pouring and the trowelling give the works an
energy and impression (made on them and by the) of force and
power. Once a piece has been composed and the cement begins
to set, there is no going back to retouch. The energy that
has gone into the creation is set in the material, a solidified
motion or tension as in pre-stressed concrete. As in geological
formations, the forces that created them are evident.”
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